Watercolor Fruit on Zoom

$15.00

Tuesday, February 3, 2026, 9am-Noon (Pacific Time)

Join me on Zoom and paint three postcard sized paintings of fruit in watercolors. In this three hour, one day workshop we will focus on using wet-on-wet, color blending and mixing, glazing techniques, and leaving white space.

Tuesday, February 3, 2026, 9am-Noon (Pacific Time)

Join me on Zoom and paint three postcard sized paintings of fruit in watercolors. In this three hour, one day workshop we will focus on using wet-on-wet, color blending and mixing, glazing techniques, and leaving white space.

Supply List:

Experienced watercolor painters: Bring your regular watercolor set and supplies. Unless you find color mixing difficult, it is not necessary to have the same color palette as me.

Beginning watercolor painters: I use Daniel Smith, however I suggest Koi or Van Gogh for someone just starting out and not wishing to spend a lot of money. Reeves, Artist Loft, and other very cheap brands can be difficult to work with as the pigments tend to separate as they dry. Go for a small set of 8-10 tubes, rather than a large, cheap set.

 

Paper:

8x10 or 9x12 pack of 140 lb. Cold Press Watercolor Paper.

Arches is, of course, the best, however, if price conscious, Fluid Watercolor Paper is recommended.

 

Paint:

Quinacridone Magenta

Cadmium Red (or Pyrrol Red)

Cadmium Yellow (or Azo, Hansa, or Indian Yellow)

Ocher Yellow

Phthalo Blue

Ultramarine Blue (or Cobalt)

Burnt Sienna (Optional, can always mix a brown!)

Payne’s Grey

 

Brushes:

One to three long rounds (Comes to a point) size 6, 8 or 12 (Princeton Velvetouch at Spokane Art Supply is a good choice)

One rigger or script brush.

One of the following: a large flat, a mop, hake, or wash brush.

 

Other:

Masking tape or blue painter’s tape

Support - you may need something to tape your paper to. A piece of wood, foam core, or clayboard works fine.

Mixing Palette

Water container

Pencil

Eraser

Hair dryer (optional)